ELIÁN STOLARSKY
1990, Montevideo, Uruguay.
Artist, poet. Graduated in Visual Arts from the National School of Fine Arts Institute, (Montevideo, Uruguay). She graduated with Great Distinction in installation and graphic techniques at the Kask Conservatorium, Hogent (Ghent, Belgium). He has ventured into the world of illustration, 2d animation and theater set design on several occasions. She is the youngest artist to exhibit individually at the Museo Nacional de Artes Visuales in Montevideo. She has been the recipient of various international awards, scholarships, and residencies.
Established between Spain and Uruguay since 2018.
She is currently doing a doctorate at the Complutense University of Madrid on the silent effects of violence on third generations and how art becomes a tool for digestion and survival; while in parallel she continues with the creation of work, mixing traditional techniques with digital technology.
My artistic work revolves around the relationship between memory, migration, and history. How history is a construction that starts from choices, how migration is relative to the human being and modifies social relationships, and how memory exists to relate and be able to link us from a human side. The destruction of war and its aftermath is evident in a large part of my artistic production.
1990, Montevideo, Uruguay.
Artist, poet. Graduated in Visual Arts from the National School of Fine Arts Institute, (Montevideo, Uruguay). She graduated with Great Distinction in installation and graphic techniques at the Kask Conservatorium, Hogent (Ghent, Belgium). He has ventured into the world of illustration, 2d animation and theater set design on several occasions. She is the youngest artist to exhibit individually at the Museo Nacional de Artes Visuales in Montevideo. She has been the recipient of various international awards, scholarships, and residencies.
Established between Spain and Uruguay since 2018.
She is currently doing a doctorate at the Complutense University of Madrid on the silent effects of violence on third generations and how art becomes a tool for digestion and survival; while in parallel she continues with the creation of work, mixing traditional techniques with digital technology.
My artistic work revolves around the relationship between memory, migration, and history. How history is a construction that starts from choices, how migration is relative to the human being and modifies social relationships, and how memory exists to relate and be able to link us from a human side. The destruction of war and its aftermath is evident in a large part of my artistic production.